![]() ![]() Think of using a LUT and trying to adjust the highlights and shadows after the LUT typically, you will have a hard time getting any detail back, losing dynamic range even if your footage was shot Log. I imagine FilmConvert Pro was introduced at a time when a lot of users shot with cameras like Canon 5D or other sRGB cameras that weren’t shooting in a Log color space. This means sometimes blowing out your highlights and muddying your shadows with little ability to recover any details. While you download camera-specific “packs” that apply the film emulation - custom-made based on your sensor and color space - you are still locked into an sRGB pipeline, with little wiggle room. That means FilmConvert Pro adjusts any color effects after your “base” grade is locked in while living in an sRGB world. The original FilmConvert Pro plugin works great, but it adjusts your image through an sRGB pipeline. Currently, Nitrate works with Premiere and After Effects, with an OFX version for Resolve. ![]() Recently, FilmConvert expanded its lineup with the introduction of Nitrate, a film emulation plugin that can take Log-based video and transform it into full color corrected media with a natural grain similar to that of commonly loved film stocks. The original plugin, known as FilmConvert Pro, works with Adobe’s Premiere and After Effects, Avid Media Composer and as an OFX plugin for apps like Blackmagic’s DaVinci Resolve. One company that has had grassroots success with digital film stock emulation is FilmConvert. ![]()
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